This is the first in a new trilogy, each is a stand alone but with a teaser for the upcoming book you won't want to miss!!
Description:
Published: Match 2018
Published: Match 2018
High School Can Be a Real Killer
Break a mirror
Walk under a ladder
Step on a crack
Innocent childhood superstitions …
But someone at the secluded Trask Academy of Performing Arts is taking things one deadly step further when the campus is rocked with the deaths of some of its star students.
Layna Curtis, a talented, popular senior, soon realizes that the seemingly random, accidental deaths of her friends aren’t random—or accidents—at all. Someone has taken the childhood games too far, using the idea of superstitions to dispose of their classmates. As Layna tries to convince people of her theory, she uncovers the terrifying notion that each escalating, gruesome murder leads closer to its final victim: her.
Will Layna’s opening night also be her final bow?
EXCERPT
The small private island was a mystery.
This, even when so many knew, or thought they knew, what was going on twenty-two miles off the coast of Seattle, on the strip of land named after the very rich and very dead Cadogan Trask. Protected like so much of the Pacific Northwest by Douglas firs, red alders, and bigleaf maples, Trask Island, a blister in the water, seemed mythical. Very little was known about the reclusive man who bought the uninhabited plot in the 19th century, later developing it to suit his tastes. His personal life and his purpose, just like his eponymous island, were ensconced in a thick, white mist. One day there, the next not.
Over the years, worry about Trask the place and Trask the man ebbed and flowed. No one dared argue that business on the island brought money and a small amount of prestige to the area, but there was something about it.
The same people who sang its praises also gawked and wondered and preached about whether its gifts matched its detractions. All of those armchair whatchamacallits peeked out the windows of their glass houses into their neighbors’ glass houses and threw not stones, but boulders.
Always, always, they asked the same question: Why must a high school be so private?
The institution was nestled behind a wall of nature so beautiful that an equal number wondered how anything about it could be bad. A school for the gifted and talented. A place where children with an affinity for dance, voice, drama, art, and communications would be nurtured. A place where stars were born to shine.
But bad is a relative word.
And stars fall from the sky.
Still, the answer to the question on so many minds of what was really going on with those who were lucky enough, and rich enough, to find themselves hidden within its sacred I hope I get in please God let me get in walls?
Well, the answer was simple.
Secrets.
And not so simple.
Lies.
Spring, 1998
Trask Academy of Performing Arts was, indeed, very private.
The campus lay upon acre after acre of rolling green hills. Tall, age-old trees swarmed the landscape. Sturdy, dark red-bricked buildings were scattered about. Cobblestone sidewalks—concrete wouldn’t do, and asphalt was far too unsightly—snaked their way through and around the campus. Surrounding all of this flora, not to mention brick-and-mortar money, was a thick-ledged stone fence complete with wrought iron. The ornamental finials topping each spire had three-edged spear points. The borders weren’t sharp enough to cut, but the tips were fine enough to puncture. And at only one point along the entire perimeter was there a gate.
One way in. One way out.
Down one of those lamp-lit walkways, in its own enclave, was Williams Hall, a beautiful sandstone and cerulean tiled theater fashioned in a Romanesque style. A bell tower, now long out of use, still kept watch over the surroundings. The only modern accoutrement, though some would say eyesore, was the building’s large, white marquee, added during the 1980s when, presumably, a faculty member, or perhaps a wealthy donor, convinced the school’s administration flashing lights were all the rage. Its large black letters read:
52nd Annual Trask Academy of Performing Arts Showcase
Inside, rehearsal ran late.
The long fluorescent-lit hallway was filled with leg-warmered young dancers packing their bags. Actors filed away their scripts. Singers stopped their warbling. All seniors. Almost all rich. Wrapping up a rehearsal in the school’s premier venue for the school’s premier event.
Begun in 1946, the Trask Academy of Performing Arts Annual Showcase saw the best and brightest of the graduating class perform for a lucky invited audience. The theater’s fifteen hundred seats filled with relatives, talent scouts, agents, bookers, managers. Hollywood and Broadway knew that those fortunate enough to study at Trask were groomed to be unsurpassed in their field, and what better way to find the stars of tomorrow than to watch the hopefuls of today. Rich daddies and mommies prayed the exorbitant tuition fees had paid off. Rumors swirled the cost to attend the school was as high as one hundred thousand dollars a year, which would make it one of the most expensive private schools in the world. For those prices, check writers expected nothing but the best.
And Hell hath no fury if they didn’t get it.
Amanda Kincaid was working to be the best. She sat on the stage alone, dressed casually in dark jeans and a top that showed just this side of too much. She was a pretty girl and, at nineteen, a year older than most of the other seniors. Her age made her more serious, and more guarded. Her dark hair, normally wavy, was pulled back tight. She wasn’t a dancer, not really, but she felt the hairstyle made her look the part of a performer. Whatever part that was.
When she heard the last door of the night slam, she knew she was finally alone. She could now work without the worry of being judged by everyone around her. She was a good actress, she knew that. But that wasn’t enough, and she also knew that.
Standing up, she grabbed her script. She promised herself that tonight was the night she would not peek at her lines. She knew them. She had to. It wasn’t going to be like Showcase 1995—
Karen Reasmith stopped in the middle of her piece, mouth agape, spotlight burning down on her as if she were caught trying to escape prison.
She had forgotten her lines.
The adults in the audience, who could cut deeper than any razor, sat in irritated silence, while the other students lovingly absorbed the crash and burn before their eyes. A train wreck of epic schadenfreude. Karen looked around, helpless, hoping she could be saved from herself. But all that came were tears as she tore off the stage.
Amanda thought of the joke around campus for those new kids who didn’t understand how serious Trask pupils took their performing arts studies. They’d ask, “Did you ever hear of Karen Reasmith?” When incoming students answered in the negative, the upperclassman would respond, “Exactly.” Testosterone high-fives and estrogen giggles followed as they walked away from newbies who rolled their eyes.
But Amanda understood what the newcomers didn’t. Couldn’t, at least not so quickly. Karen had blown it. She would never even get a chorus audition in a touring show. Casting agents loved to talk. And what they loved to do more than talk was gossip. By the time Karen had packed her bags and left the compound, her talent was already colder than the iceberg that had sunk the Titanic.
Except that the Titanic had survivors.
Amanda shook off the memory of Karen Reasmith and focused. Her tongue darted around her red-lipped mouth, preparing to utter chilling words as she channeled Euripides’ Medea.
“In vain, my children, have I brought you up, Borne all the cares and pangs of motherhood, And the sharp pains of childbirth undergone. In you, alas, was treasured—”
Suddenly every light went out, leaving Amanda alone in blackness.
Even the ghost light’s exposed incandescent bulb had gone out, which made her anxious. Amanda knew the ghost light was a big deal, if only a superstition. She was aware of the firmly held belief that every theater had a ghost. And not Phantom of the Opera ghosts who taught beautiful, young women to become chanteuses. No, these were simply the spirits, perhaps of performers long dead, who remained in the place they once loved. Perhaps the ghost light allowed them to perform their own works when no one was around. Or maybe they just liked to watch performances.
Nonsense, Amanda thought. The light is there so we don’t fall into the orchestra pit. Or something.
Still, she didn’t like it being out. Just in case. Of whatever frightening case might be out there.
And then the noise came. Softly at first, but building in volume. It seemed to emanate from the back right of the auditorium. It sounded like the moan of a dead person who most decidedly did not want to be dead. Like a zombie upon its victim, ready to sink yellow and black teeth into the soft flesh of a neck, tearing out tendons, arteries, a larynx.
Amanda’s breathing grew faster, shallower. She felt as if she were standing in the cold, black reaches of space. Tiny hairs on the back of her neck tingled. Her mouth opened, ready to scream.
Amanda knew she should have been alone. And she knew she was not. But she stopped herself short of screaming. Instead, she cocked her head as the ghastly voice grew louder, transforming into something else, like something off one of those cheap Halloween sound effects tapes. Her split-second shudder of fear gave way to the crack of an embarrassed smile, then annoyance.
“Seriously? Not funny!” Amanda yelled out, her voice coming back at her with the faintest echo. Her words stopped the not-so-sound-effect sound effect. “I’m trying to work here,” she added matter-of-factly. She smirked. She waited. I’m ready when you are, idiots. When nothing happened, she took a step to her left.
“Dare you try to cross without the guidance of the ghost light?” a voice boomed. Amanda let out a small yelp. “Who can know what evils from the past lurk within these hallowed walls?”
Wait a minute, she realized. I know that voice. Despite the darkness, she moved in circles, calling out.
“If anything evil does linger, it’s probably from your pathetic performance, Marcus.”
She carefully shifted closer to the stage’s left wing. As her eyes adjusted to the darkness, she saw she was inches away from one of the thick, black curtains that prevented audiences from seeing backstage. The material was moving, ever so slightly. Who is that? What dashed away behind the barrier? She had to know, needed to. She slowly reached for the fabric and started to tug on it—
A reverberating audio feedback filled the auditorium. Amanda reeled, falling on her tailbone. Then, silence.
The bulb inside the cage of the ghost light came to life.
Someone had been right there. Not anymore.
“Oh, come on. Did I bruise your fragile ego?” she asked cynically. She got no response and decided she was over this game. She really did need to practice.
“Fine, whatever. Can you please turn the stage lights—”
They came back on before she could finish.
Jerks, she thought.
She looked back down at her script. Mumbling the words to get back to her place, she heard a rustling deep backstage. Hushed voices talking fast. Getting more strident. Urgent.
Inconsiderate jerks. Looking up, she projected to the back of the auditorium.
“In you, alas, was treasured many a hope of loving sustentation in my age, of tender laying out when I was dead—”
“Do something!” a voice said harshly backstage.
A female voice that Amanda couldn’t make out responded, “Just go, just go!” It sounded like she might have been crying.
Amanda stopped worrying about her performance. She stopped wondering who was scuttling around. She was concerned that something was wrong. These people had laughed at first, but now they sounded worried. And very frightened.
So was Amanda. She stepped toward the left wing once again, this time with purpose. Something slammed backstage. Amanda screamed, threw her hands to her mouth, and let script pages flutter to the ground in a jumbled mess she would normally have cared about, but not now. Something was happening. Her expression turned to sour terror when she saw it.
Smoke.
Thick dark billows wafting up from backstage.
“Oh my God.” She instinctively reached forward for the curtain, calling out. “Are you guys all—”
As she drew the curtain back, Amanda watched ravenous flames grow with a fresh gust of delicious, necessary oxygen. She was thrown as the heat slapped her body.
Crawling backward, she stumbled to her feet, turned to run, and screamed again, this time louder. She barely missed falling into the orchestra pit ten feet below.
“Help me!” she cried, looking around frantically, noticing the pages of her script dancing in a small vortex of flame, smoke, and heat. Flames licked the ceiling and rained dripping bits of burning material down. An ember from a set piece dropped to her arm, searing her flesh. She whimpered, hot tears flowing down her face. Another ember, another burn.
Desperate, Amanda tried to use her hands to wave away the smoke, but it was too thick. Coughing, she pushed toward a set of exit doors off the left wing of the stage. She imagined the fresh evening air outside, but her arms almost snapped when she slammed into the door that would not open.
For a moment Amanda wasn’t sure what was going on, but another ember landed on her hair and began smoldering, bringing her back. She swatted at it, screaming. She got up and tried the door again. It wouldn’t budge. She pounded on it.
“Help me! Somebo—”
Amanda violently coughed. She looked around, water in her eyes from fear and fire. The conflagration had engulfed the auditorium and Amanda, rushing to the stage again, realized she was at the center of it all.
A twisted, groaning came from above and, realizing just in time what it was, she scurried as a lighting rig swung right past her.
She didn’t have much time. More and more fly ropes snapped in the heat. Scene flats crashed to the floor. The glass lamp of the ghost light exploded. Disoriented, Amanda stumbled across the stage as smoke stung her eyes and heat filled her lungs.
Colored lights above burst and shattered, sending glass shards raining upon her. She covered her head, not seeing the snapped cable heading toward her.
It belted her in the leg, drawing a deep, thick gash and sending her sailing over the front of the stage.
Into the orchestra pit.
Her head hit the wooden floor with a crack. Her leg twisted at an odd angle. She was not going anywhere.
It’s so much cooler down here, she thought sadly. The fire drew closer as debris rained down around her. She looked high above and saw fire crawl up the curtains, licking at the Trask Academy of Performing Arts crest. Its enamel sheen bubbled in the heat.
The fire upon her, Amanda felt her skin burn. She used her left hand to rub the fire from her right arm, but everything sloughed off the bone in large, bloody, sinewy chunks. The pain was excruciating. She had been sure, when talking with friends about terrible ways to die, that after a few seconds fire would have extinguished any sense of pain, or that her body would dull it enough to make it more manageable.
She thought how wrong she had been.
She felt every lick of flame as if a galaxy of the hottest stars were slowly stabbing through her. Her head lolled to one side. Her screams withered. She wanted to cry out, but instinct had its hold on her, and the heat she felt every time her lungs sucked in was too great.
The air itself had become a scorching hell.
She saw little blobs of dancing light as she held, held, held her breath. The world was just about black when another jolt of pain brought her back, as if a gleaming, hot needle had been shoved into her iris. While the blinding orange and yellow of one thousand degree flames ravaged her body, she saw nothing.
Her lack of vision was not due to the agonizing pain. Or the shock that racked her body. The heat was so great that her eyes exploded, like eggs bursting in a microwave.
The young girl with so much life ahead of her was as good as dead. A burning husk of a person. The unconscious fear of suffocating grew to be too much, and she sucked in a giant rush of heat that melted the delicate, paper-thin tissue of her lungs. It was a pain so much worse than breathing in water from the lake where she and her friends would go swimming. Long before she had come to this school.
As the little oxygen left in her bloodstream wended its way through her dying shell, strange fleeting thoughts crossed her mind. It wasn’t, as everyone said, a movie-like assemblage of her life playing at breakneck speed. It was, simply, random moments. The first time she saw The Wizard of Oz and wanted to be Dorothy. Riding her pink bicycle in the grassy front yard of her house, yelling for anyone to watch her ring the tiny bell on the handlebars. Hitting her babysitter’s older brother in the face with a snowball, upset and confused that she could make a big boy cry. Screaming on a roller-coaster with her former best friend, Shelly, sure she was going to pee her pants from laughing.
Then it was over. Her human light faded, faded, faded with one last thought.
The baby.
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About the author:
Born and raised in Upstate New York, Thommy graduated from UCLA and launched his career co-writing the story for the Warner Bros. animated hit SCOOBY-DOO IN WHERE’S MY MUMMY? He followed that with co-writing the concept and additional material for CHILL OUT, SCOOBY-DOO!
His career then took a thrilling turn when he wrote and produced several definitive genre film retrospectives for television and home entertainment: SCREAM: THE INSIDE STORY, NEVER SLEEP AGAIN: THE ELM STREET LEGACY, MORE BRAINS! A RETURN TO THE LIVING DEAD and HIS NAME WAS JASON: 30 YEARS OF FRIDAY THE 13th.
He was also a staff writer on Hulu’s daily web series “The Morning After,” a smart, witty, pop culture program aimed at getting viewers up-to-date on the latest entertainment news and celebrity interviews.
Thommy also produced the critically acclaimed feature THE TROUBLE WITH THE TRUTH, an insightful relationship drama starring Lea Thompson and John Shea. He also produced DREAMWORLD, a quirky, romantic dramedy.
He co-wrote and produced ANIMAL for Chiller Films and Drew Barrymore’s Flower Films. The project debuted in iTunes’ top ten horror films (reaching #1) and became the network’s highest-rated original movie.
Continuing his passion for uncovering the stories behind the story, he went on to produce CRYSTAL LAKE MEMORIES: THE COMPLETE HISTORY OF FRIDAY THE 13th, which is the most comprehensive look at the popular film franchise.
As an author Thommy crafted a limited-edition coffee table book detailing the making and legacy of Wes Craven’s 1984 classic A NIGHTMARE ON ELM STREET. A trade version distributed by Simon & Schuster reached number one in Amazon.com’s Movie History & Criticism category. He also has a deal with Vesuvian Media to write a YA thriller trilogy with the first book due out spring 2017.
He produced and made his feature directorial debut with THE ID, an independent psychological drama/thriller. Filmmaker Magazine stated it was “a deeply unsettling thriller that’s as moving as it is frightening…with skillful, provocative direction that has echoes of early Polanski.”
Most recently, Thommy wrote the screenplay for CineTel Films’ supernatural horror film TRUTH OR DARE. He is also directing, writing and producing a documentary with Clive Barker’s Seraphim Films in addition to developing other film and television properties with the company.
As an author, he is currently writing another book that definitively details the history, making and legacy of another fan-favorite genre film from the 1980s.
A member of the Producers Guild of America, Thommy continues to develop unique, compelling and provocative projects across multiple genres for film, television, publishing, and home entertainment through his company Hutson Ranch Media.
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1 comment:
I've sen no9thing but rave reviews on this book and hope to read it as soon as my current pile diminshes a bit.
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