Darkness brutal, darkness fair at last repayment for my sin - The Dark Cycle Series by Rachel A. Marks

"THIS BOOK IS SO ORIGINAL! [...]
These characters had depth. It made it wonderful to read.
It isn't perfect but it is pretty amazing as it is. That's my honest opinion.
Man, this book and the characters! I'll will be reading the next ones for sure!" - Goodreads, Emmeline

Description:

Darkness Brutal ( #1)

Aidan O’Linn’s childhood ended the night he saw a demon kill his mother and mark his sister, Ava, with Darkness. Since then, every three years the demons have returned to try to claim her. Living in the gritty, forgotten corners of Los Angeles, Aidan has managed to protect his sister, but he knows that even his powers to fight demons and speak dead languages won’t keep her safe for much longer.

In desperation, Aidan seeks out the help of Sid, the enigmatic leader of a group of teens who run LA Paranormal, an Internet reality show that fights demons and ghosts. In their company, Aidan believes he’s finally found a haven for Ava. But when he meets Kara, a broken girl who can spin a hypnotic web of passionate energy, he awakens powers he didn’t know he had―and unleashes a new era of war between the forces of Light and the forces of Darkness.

With the fate of humanity in his hands, can Aidan keep the Darkness at bay and accept his brilliant, terrifying destiny?

Darkness Fair 

Release Date: February 2nd 2016

Against the backdrop of an ancient battle between the forces of Light and the forces of Darkness, Aidan struggles to control the newly awakened powers that seem to be his only hope for rescuing his little sister Ava, who is now trapped somewhere beyond the Veil. As he gravitates to Kara, the beguiling and dangerously unstable girl who helped him realize his abilities, a terrible mistake of fate is revealed that points him back toward Rebecca, whose role is becoming more critical to the battle. And no matter what his heart wants, it might be too late to stop the pieces already in motion.

Without knowing the sacrifices that will be required of them, Aidan and his motley crew of friends—each with their own role to play—must face the demon threat head-on. They’re the only ones keeping the growing army of Darkness at bay, and if they fail, the future of humanity could be lost.

GUEST POST

Something cool about the setting in The Dark Cycle? 

I had a very fun time researching to write Aidan's story. Setting it in Los Angeles was an easy choice since I'm fascinated with the magic and darkness of the place. I grew up in the area so it was especially cool to learn pieces of the history that I never knew about. Facts about locations I've been visiting my whole life. I think the one that struck me the most was a place in Pasadena, aptly named, The Devil's Gate dam. This location plays a pivotal role in the series, though I only feature it in one scene. Learning the background was super fun and I learned so much that I ended up writing a few articles on it. If the stories of disappearances and deaths surrounding the land, and the strange rock formation shaped like a devil’s head don’t make you wary, then the story behind the myths most certainly will. 

The famous scientis Jack Parsons, along with the science fiction writer L. Ron Hubbard believed the dam carried magical properties and powers, as the Native Americans had always said. But they also believed they could harness that power to call up something called, a moonchild; an anti-god that could abolish civilization as we know it. The rituals and magical spells (so famous they were given a name; the "Babylon Working") performed at the dam, as well as at Parsons' home, were said to have opened a portal to another world, allowing monstrous demons to come and go as they pleased. Just proves that sometimes fact is stranger than fiction.

EXCERPTs

DARKNESS FAIR - Chapter One

I never would’ve come on this job if I’d known it involved a demon. But last night during the briefing, Sid acted like it didn’t even involve anything paranormal.

“Probably just a human thing,” he said. “We can wave a little smoke, give the client a prayer or two, maybe one of Holly’s happy cookies, and the nice lady will be feeling better in no time.”

Not exactly. Standing here looking at the client’s massive living room that’s piled to the ceiling with stuff, I can tell this won’t be as easy as appeasing a grumpy five-year-old.

“You should’ve brought Connor,” I mumble to Sid as I survey the mess around us. The thing is here somewhere. I can smell its rotten-egg ass even over the stale air and must coming from the clutter. Mountains of junk rim the walls and cover almost every inch of what looks like a very expensive marble floor. “I can’t believe you dragged me here.” It’s my first time on a job site since everything went to hell four weeks ago—literally.

If Sid heard my complaint about being here on the job, he isn’t acting like it. He’s just smiling his salesman smile and listening intently to the large woman in the silk muumuu on the leather couch as she tells him how her cat tried to eat her last week. She looks young, midthirties. Too young to be wearing a muumuu and living in this filthy place. A bit of bandage peeks out from under her flowery sleeve. There’s an angry-looking scratch on her neck, too. She ended up in the ER with twelve stitches from the attack.

“Fluffy keeps leaving dead mice lying around, dead rats, even floppy gophers,” she says, her face wrinkling with disgust. “Dead all-sorts-a-stuff everywhere. It’s starting to stink no matter which room I sit in, and I can’t take it anymore. I can’t seem to escape it. And then this happened.” She motions to the scratches on her neck.

I smell the death, but the odor is layered with the putrid stink from rotten food, moldy boxes stacked end to end, and piles of clothes mixed with God-knows-what. Not to mention the sulfur wafting around from whatever demon is hiding in this place. How can this woman tell one gross thing from another?

Sid crunches his way over some debris to sit beside the client on the five inches of couch space still available.

“You rest easy,” he says as he pats her broad shoulder. “My boy, Aidan here, will take care of anything that’s gone wrong.” He motions toward where I’m standing by a stack of magazines and DVDs, and the woman looks at me for the first time since Sid and I walked through the door.

Her eyes grow a little when she studies my face, my hair, her gaze taking in the markings on my hand and arm for a few seconds longer than normal.

I really should be used to the staring by now. Ever since my “change,” or whatever we’re calling it, strangers seem to think I’m either something to marvel at . . . or something to fear. It makes me wonder what they’re sensing. Just one of the reasons I like staying at the house and leaving the jobs to the others.

She gives me a half smile, half grimace, her lips tightening over her teeth, then she turns back to Sid. “I’m not sure what else I can do. I’ll pay you whatever you want, just please, fix Fluffy. He’s all I have left now.” Her voice shakes a little and she points to something near her foot that looks like a plastic box. No, a cat carrier. I hadn’t noticed it among the piles of clutter.

Something moves inside the carrier. A shadow. The cat? A hiss emerges, like an answer, and the smell of sulfur billows out even thicker.

A shiver runs through me.

Sid leans on his cane and stands up from his spot beside the woman as he runs a hand over his bald head. Then he hesitates, like he smells it, too. He steps back, studying the carrier, then looks sideways at me, a question on his face.

Could the cat be possessed?

Or maybe the cat isn’t a cat.

“So, Ms. Bentley.” Sid clears his throat. “How long have you had, um, the, um . . . Fluffy?” He tries to move back toward me, but stumbles over a box marked As Seen on TV, before steadying himself on a nearby coatrack—his arm tangles in the strap of one of the very large bras hanging from the hook. He doesn’t seem to notice, though; his eyes still haven’t left the small cat carrier at the client’s feet.

“He was a neighborhood stray,” she says, sounding deflated. “I took him in a month ago, shortly after . . . after my mother died. She hated cats, so I was never able to have one. And Fluffy was such a sweet thing.” Her eyes glisten with growing sadness.

She puckers her lips like she’s holding something in. Finally, she says, “Until a few days ago, he was all cuddles and smooches.”

Well, now Fluffy is all talons and teeth.

“Very sorry.” Sid finishes making his way over to me and pats me on the shoulder, very fatherly-like. “Aidan will need to look at the, uh, the . . . your Fluffy.”

I turn to him. “Will I?”

He nods. “The show must go on, my boy.”

Really? Must it?

Didn’t Shakespeare say we’re all actors on the stage of life, or something? Well, Sid takes that notion very seriously. The twenty-four-year-old magician is always playing some part or another to fit the game.

He nudges me again and whispers sideways, “I know you’ve been wanting to jump back in, so here you go. Just see what you can accomplish. It’s in a cage and all that.” He waves his arm as if he’s just explained how to go about this.

I glare at him and shake my head. “You’re an ass.”

He lets out a fake laugh and gives the client a look like, Aren’t teenagers impossible? “It’s a preliminary test, Aidan. So we know what we’re dealing with.”

I sigh. As much as I don’t want anything to do with this job, I need to start figuring out my power. It feels like it’s growing, every day, bigger and louder, like a ringing in my ears. It’s pushing now, this weird urgency, making me itch to . . . well, kill. It’s terrifying.

I need to get these new urges under control. And if I want to kill a demon again so badly, why not give it a whirl?

I’m wearing my amulet, so if a corporeal demon is in that carrier instead of a cat, then it won’t see me. However, if the demon is possessing the cat, using the cat’s eyes to see, then I’m about to be discovered.

I take a deep breath and step closer to get a look. Following the boss’s orders.

Ms. Bentley leans toward her innocent Fluffy.

I crouch down to get a clearer view, avoiding the trash at my feet.

The cat hisses and its plastic carrier jerks and clangs. But the thing’s not looking at me, it’s more like it’s sensing danger, its hackles rising. And then I see tiny horns beside the ears, and thorn-like protrusions on its back through grey-striped fur. Its eyes dart around the room—eyes like light reflecting off a pool of oil. Its teeth are shiny silver.

Not an actual cat. An actual corporeal demon. Check.

This lady is lucky all the thing did was set her up with a few stitches. It could’ve scratched off her face entirely.

Prickles work over my skin as I stare at the thing. Corporeal demons are somehow less disgusting than the ones I see on the other side of the Veil. The ones that manage to get called up by witches and cross over to the physical plane are always trying to masquerade as something they’re not, and sometimes they suck at it—like Fluffy here, a cat with horns. Yes, they’re still creepy, just not as creepy as when they’re full monty in their spiritual form.

Looking at it makes the strange new urges in my gut stir, reminding me that I’m a killer now. Officially.

“Thank you, ma’am,” I say, quickly standing, itching to run but not wanting to scare the woman more.

I stumble back to Sid’s side and say under my breath, “We’re done here.”

“What sort of help will you be if you leave?” Ms. Bentley rests a hand on the carrier, as if comforting the demon inside. “We need help.”

A corporeal demon as a pet. That’s definitely new. I wonder how she hasn’t noticed Fluffy’s oddities. I mean, horns? Come on.

Maybe the fumes from the rotting crap in the house have messed with her head.

Sid clears his throat and waves an arm as if trying to keep her calm with hand gestures. “It’s all right, Ms. Bentley. It’s merely that your cat may be possessed and in need of an exorcism.”

I turn and gape at him, wondering why he’d spit that out right now.

She gasps and clutches her muumuu to her chest with a meaty fist.

I nudge Sid. “But my boss and I should maybe discuss it and get back to you.” Sid’s reading this all wrong. Not surprising, since the guy is slowly losing his senses from staying too long in this time. But I’m not a fan of him blurting out made-up shit to the clients before we’ve agreed on what shit can be said out loud.

“I’m paying you to fix this now!” she says. “I can’t leave poor Fluffy in a cage forever.”

“We’ll call you,” I say, shoving Sid toward the door before he can say anything else stupid.

Sid trips over a karaoke machine and nearly dives into the wall headfirst. But somehow he looks graceful about it, with his thin limbs and delicate fingers reaching out like a dancer’s. “Don’t let it out of the cage. We’ll call you tonight,” he says, righting himself effortlessly with his cane. “And we’ll try to get help here in the morning. Just, please, keep it locked up until then.”

She stands, watching us maneuver our way out of the living room. “One more day!” she hollers with a catch in her voice before the door closes behind us, leaving us on the porch.

I need a shower.

DARKNESS BRUTAL - Excerpt

I let the pulse of the music coat me and mute my surroundings. A mass of people crowd the dance floor of the club, and I sit on an abandoned couch in the corner. The lights beat at the air in blues and greens, and bodies twist and merge to the thunder. I lean back, close my eyes, and try to get lost in it, the smells and sounds of people and their collective high.

Something moves next to me. I look over to find a girl sprawled on the seat beside me, trying to catch her breath. She’s not dressed in the usual club gear, more like a girl who got lost on her way to a beach party: Hurley T-shirt, jean skirt, and red Converse. Her cheeks are flushed pink; her throat and forehead glitter with sweat. She glances at me like she didn’t know I was there. She licks her upper lip, her eyes not leaving mine. Then she says something I can’t hear.

I point to my ear and shake my head.

She smiles and laughs, lighting up the space around her. She rests her hand on my arm, like we’re friends and I just told her the most hilarious joke, and then she gets up and disappears into the mass of bodies again.

My arm tingles, my body reacting to the moment of contact in a sudden and disconcerting way. I think I’ve had my fill of watching people indulge their baser instincts. I need to get out of here.

The beat of the music speeds up, vibrating faster as I move through the crowd. I try not to touch anyone, which is nearly impossible. All the emotions and appetites are overwhelming, as if the rising rhythm of the music makes their yearnings rise, too. Lust buzzes in the air. A hunger stirs in me, a gaping hole, needing to be filled. With touch.

The touch of female fingers. A hand on my arm, taking my wrist, pulling me into the fray, into the pressing bodies. And I don’t try to escape. I let her take me.

Because I’m tired.

Because I’m a dumbass.

A girl moves in front of me—not the Hurley girl, not the one I was hoping for. She presses closer, so close I can almost taste the salty perspiration on her skin. She has thin, birdlike shoulders, a swan neck, a heart-shaped face, and black hair, long and tangled, turning blue and green with the light. Her hands slide up my chest. She wraps her arms around my neck and tilts her head to look up at me.

Her lips are full and painted dark purple. There’s a dimple in her left cheek that gets deeper with her growing smile. And her eyes . . .

Fog fills my head for a second, interrupting my thoughts.

“Hi,” she mouths, calling attention to her lips again.

And then she’s rising up on her toes, pulling me down to her, twisting her fingers in my hair, her lips smashing against mine.

My body buzzes from her touch, and my hands react, drawing her into me. I drink her in. She tastes like the air around me, hunger and urgency, and—

Green apple Jolly Ranchers?

I grip her sides, her ribs so delicate beneath my fingers. The sweet tang of her teases me, the hunger becoming a monster deep inside. I have to press her closer, tighter, try to feed it, as I feel the fire of her need link with mine.

She pulls back a little and looks at me with wide eyes, like she’s shocked. That’s when I see the mark, a glowing, blue-inked line of what looks like Chinese symbols, trailing down the nape of her neck to her shoulder blade. Symbols that I’m suddenly sure mean: touch this girl at your own risk.

It’s the only thing I see for a second: Beware. Beware.

Until her energy reaches for me, wispy tendrils of blue light wrapping their way around my wrists and snaking up my chest.

I jerk away, into the guy behind me, stepping on his girlfriend’s toes. I get shoved— thankfully farther from the hypnotic girl—through a space in the crowd, saying a hundred excuse-me’s even though I know no one can hear them. I find my way out of the press of bodies to the edge of the room again where it’s safe.

It’s time to leave. I should’ve left an hour ago.

book #2 is in pre-order

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About the author:

Rachel A. Marks is an award-winning author and professional artist, a cancer survivor, a surfer and dirt-bike rider, chocolate lover and keeper of faerie secrets. She was voted: Most Likely to Survive the Zombie Apocalypse, but hopes she'll never have to test the theory. Her debut novel is DARKNESS BRUTAL, the 1st installment in The Dark Cycle. Book 2 releases February 2nd, 2016 and is titled, DARKNESS FAIR.

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