At first glance, twenty-two-year-old Brianna’s life seems perfect. But she harbors a deadly secret—her father is the leader of a ruthless drug cartel. Brianna struggles to find her place in a world her father meticulously controls, and believes she is nothing but a pawn in her father’s deadly games.
After graduating from college with an enormous debt, Dominic finds himself lured by money and power into a job that appears too good to be true. He doesn’t realize he works for a drug cartel until he’s in too deep. Trying to keep his family safe, he takes a deal offered by Brianna’s father and agrees to marry Brianna while continuing to work for the cartel.
Brianna and Dominic must rely on one another as their lives become further entwined in the lethal drug world. When Dominic discovers a deadly secret, he begins to question everything and turns to Brianna for support. However, Brianna’s heart belongs to another man—an undercover DEA agent.
The DEA closes in on the drug cartel, forcing Brianna and Dominic to choose sides, igniting a battle between family loyalty, love, and survival. Brianna soon realizes that she may be the only person capable of bringing down her father’s empire—if she can find a way to outsmart the master manipulator, without losing herself, and her heart, in the process.
Telling versus showing while writing
Showing versus telling in writing is a tricky one! For me, when writing my first draft, it’s almost all telling. I am simply trying to get the story out without worrying about how I’m doing it. Once the story is on paper, I go back in and basically rewrite the entire thing so that I am showing the reader what’s happening.
However, there are times where I do need to tell in order to keep the story moving along. Usually when the telling occurs, it’s a minor plot point and not of importance. Where showing becomes vital is between characters. I don’t like reading a story where the writer tells me how characters think and feel about those around them. A lot of times, the characters aren’t clear nor do they even understand their own thoughts and feelings. So it’s a lot of fun to read/write a story where the characters’ interactions with one another allow the reader to draw their own conclusions as to what is really going on.
On the flip side, I don’t want to overdo it with the showing either. Sometimes it’s ok to say a character had a stern look on their face without describing what that stern look looks like. Again, there is a fine line between showing too much. You have to keep the action moving along. I think that’s why it’s really important for a writer to have beta readers and critique partners.
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