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Albert Camus

Don't walk behind me; I may not lead. Don't walk in front of me; I may not follow. Just walk beside me and be my friend.

Thursday, September 3, 2015

The Maze - The Lost Labyrinth by Jason Brannon

“From his style, you’d think Jason Brannon was the dark double of Ray Bradbury. He cares more about character and realism than most writers I’ve read and his plots flow like well-orchestrated music. Indeed, Brannon’s writing has a classical feel, reminiscent of the best traditional work in the genre, even when he’s going for gut-wrenching terror and torture in-extremis.” ~ Michael Arnzen, International Horror Guild Award winning author of Grave Markings (Dell Abyss)

Description:

A near death experience transports Jamie Burroughs into The Maze, a realm built by angels and demons and filled with traps and riddles for those haunted by their mistakes.

For Jamie, The Maze becomes a terrifying journey through a world of darkness where his soul and the lives of those he loves hangs in the balance. With his family in danger and his soul in peril, Jamie is forced to reevaluate the kind of man he truly is as he struggles to escape The Maze before it’s too late.

GUEST POST
The Maze: Art Imitates Life

As a writer, I've always heard that I should write what I know. I've also heard that it is important to create realistic, three-dimensional characters that are true to life. Are such things even possible when writing a novel about a strange maze filled with traps and the minotaur who lives there, feasting on the sins of the lost? Certainly, that was my goal when writing The Maze. I created my protagonist, Jamie Burroughs, with the intent of appealing to a broad reach of people, and it was easy enough to create an everyman that most could identify with based on a very specific set of struggles that most readers could relate to. But what about the minotaur that torments Jamie in the dark hallways of the labyrinth? Could I successfully integrate any of myself into a half-man, half-bull creature that dines on transgression? Strangely enough, I think I did.

At its core, The Maze is a story about a man who is forced to examine all of his shortcomings in a strange labyrinth. The minotaur's function in The Maze is to serve as a sort of mirror for those flaws, revealing each one to Jamie in gruesome detail and forcing him to face the consequences of his sins. Obviously, the overwhelming majority of events in The Maze aren't true to life given their fantastical nature so I couldn't draw from personal experience when crafting the tale. Yet, when imagining the dichotomy between man and beast, I thought about Jamie and the minotaur as two sides of the same coin, light and dark. Jamie makes mistake after mistake in his life and the minotaur is the consequence for those shortcomings. Cause and effect. The minotaur is the negative effect for every transgression Jamie has ever committed, and he spends most of the novel suffering for all of the pain he caused. In a sense, the minotaur is Jamie's conscience that has awakened and become something horrible that will make certain he pays for all of the bad things he has done over the course of his life. Jamie gets his comeuppance through the minotaur's torments. 

So how did I interject a little bit of myself into the minotaur? Simple. I imagined the kind of creature that would be necessary to make me pay for all of my own personal flaws and shortcomings. I envisioned what kind of beast would be my dark side if personified. I also tried to imagine something that would be terrifying. Far too often, it is difficult to see the consequences for our actions even though often times those consequences are horrible. I wanted to create the living, breathing embodiment of cause and effect and show that no misdeed goes unpunished. If I were trapped inside a maze, this is the kind of monster I would expect to show up and sort through the failings of my own life.

Was I successful in writing what I know and creating a three-dimensional character in the process? Ultimately, that will be for the reader to decide. Given the challenges in writing The Maze it's a good thing I didn't decide to write a story about a death angel visiting a small town....oh wait...that's the one I'm writing now. Should be fun to see how I'll project some of myself onto the death angel from the Book of Exodus!

About the author:
Jason Brannon is the author of The Maze and The Tears of Nero. His fiction features flawed characters trapped in impossible situations that test and try their faith. He currently lives in Amory, MS.

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